GIBSON J 200 STUDIO FULL

But both guitars exhibit tons of potential for the right player. Whether or not you'll ultimately want to spend a few hundred more for a Gibson with more upscale appointments (a solid rosewood-backed J-45 Studio, for instance, costs just $250 more) will be down to how you bond with the guitar in person.

That said, it sounds-and feels-massive in detuned situations and its copious capacity for volume makes the possibilities of the G-200 as a rhythm guitar super tantalizing. And it's hard to avoid longing for a little more responsiveness to a light touch. The midrange could use some of the mellowing that often comes with the passing of a few seasons and sessions. The G-200 is less flattered by the Generation Collection recipe-at least in its new-from-the-factory state. The playability is superb, and the player port adds a subtle but unmistakable extra dose of detail in fingerstyle situations. In tone terms, it compares favorably with more expensive Bozeman-built flattops in the high-mid-price grand concert category. There is a lot that is special about the G-00. For this review we looked at the two models that bookend the Generation Collection: the G-00 and G-200. Yet the G-00 and G-200 offer a compelling playing experience, and each model is built with a side port (which Gibson calls the Player Port) that enables a subtly more intimate means of relating to each guitar's dynamic potential. In fact, you could argue that the highest-priced members of the Generation series, the $1,599 G-Writer and $1,999 G-200, are not mid-priced at all. That means the guitars are pretty austere and more expensive than a lot of the mid-price competition. This Inspired by Gibson Epiphone features a cutaway Super Jumbo body with select maple back and sides, solid spruce top for outstanding tone, a smooth-playing hard maple neck with a SlimTaper. The J-200 EC pays homage to the King of the Flattops - the classic Gibson SJ-200.

GIBSON J 200 STUDIO FULL

The J-200 Studio's simple elegance begins with its classic AA-grade Sitka spruce top and attractive maple back and sides, giving you a full and balanced high end with the Super Jumbo's. Epiphone J-200 EC Studio The King of the Flattops Gets a Cutaway. Rather than move production to Mexico or overseas, or use laminates or wood composite materials, the Generation guitars are built with solid woods in the same Bozeman, Montana, facility that makes the company's top-shelf flattops. The Gibson J-200 Studio is a fine acoustic-electric guitar, retaining the tradition and excellence of Gibson's storied Super Jumbo 'King of the Flat Tops' line. With the Generation Collection of acoustics, Gibson chose a middle path to the mid-price market. It's a brutally competitive market: Asia-built instruments leverage lower manufacturing overhead to ape more expensive American inspirations, while legacy American brands offer less luxuriously ornamented guitars built with alternative and laminate woods-often in facilities in Mexico.

It's easy to understand Gibson's reticence to enter the mid-price acoustic game with a Gibson-branded guitar. Gibson SJ-200 Studio Walnut VS, Super Jumbo Western Gitarre mit Tonabnehmer Boden & Zargen: Walnuss massiv Decke: Sitka Fichte massiv Hals: Mahagoni Griffbrett: Walnuss Einlagen: Mother-of-pearl Graduated Crowns.

Gibson j 200 studio